WON
G NO BETTER THAN THIS (TNO Ent, 2001)
Thou
shalt not lie, and neither shall record sales: Tupac’s post-mortem platinum status
shows that consumers rank him the Number Two Most Anticipated Comeback From the
Grave, in case he gonna fulfill his prophecy – “hard to kill a nigga cuz I’m comin’
back like Jesus”. When he duz, don’t call it a comeback – he been here for years.
Not physically, but his essence is steady kept on life support thru R&B singers
thuggin’ it up and certain MCs fixin’ plates off the legacy. Fact is, everything
feels like déjà vu these days.
It’s
never stronger than in the case of Won G the Haiti Boy (not Juan G “tha Mexican
Warren G” like I first thought) fronting in both red and blue rags in publicity
flicks rocking muscle shirts to show off tats and sex appeal. Straight into his
third album No Better Than This it’s Cristal-clear what crowd Won G is aiming
at, and what he’s shootin’ with. He resurrects both the beat and subject of DJ
Quik’s “Tha Divorce Song” for the single “Nothing’s Wrong”, to put his own talk-show
spin on relationship blues. Once snuggled up in his core material, he sleeps up
in it, one way or another: he writes a broad dedication to whoeva wanna sniffle
on “I Miss You”, and macks relentlessly -- to Da Brat on “Put It Inside”, and
even to the three-fourths-of-cloth crowd on “Habibi”. Watch out for Haiti bitches,
I heard they throw hex.
Worldwide
mob figga? Worldwide broad digga. Like any true ‘Pac imposter, Won G ain’t satisfied
just draggin’ to the skirts; he gotta test-drive his own gangsta, and get ridahs
like Layzie Bone and Yukmouth to co-pilot. But I ain’t convinced, and when he
claims “Street Life” I had to laugh – you mean “sheet life”, homie. Tell me what
that in-between look like.
It’s nutty
how Won G’s made history his-story. Witness “I Love TNO”, an anthem dedicated
to his label, and the numerous shout-outs throughout the album to his boss, TNO’s
CEO Mr. Teodoro Nguema Obiang, who must be the Suge Knight of Equatorial Guinea.
Is that former Death Row songstress Jewell on the hook? Pleezbaleevit. It gets
deeper than that: Outlawz Napolean and EDI guest on the LP’s best moments, over
beats by Won G’s bro Double-M that do Johnny J dyno-mite. The Outlawz sound true’n
livin’ on “This Is Your Life Kid” and the opening cut “Every Man Has A Woman”,
which got that warm “Happy Home” fuzzy feeling. Skirting around Won G’s mush mouth,
the Outlawz take shit down memory lane. But even enjoying the ride, I can’t help
but think how good ‘Pac would sound on these songs.